But when they took a stab at disco with 1975's "Jive Talkin'," their career kicked into an even higher gear. Number One single, "How Can You Mend a Broken Heart," was promptly covered by Al Green. Elton John has called them "a huge influence on me as a songwriter" Bono has said their catalog makes him "ill with envy." The Bee Gees' earliest hits ("New York Mining Disaster 1941," "To Love Somebody") were melancholy psychedelia, and their first U.S. But that multiplatinum triumph was just the tip of the iceberg: Australian brothers Barry, Robin and Maurice Gibb were massively successful songwriters for decades. "And so I started writing these story songs."Īmerica first discovered the Bee Gees with the 1977 disco soundtrack Saturday Night Fever. One of Nashville's most overtly political songwriters, he was a liberal who recorded "Watergate Blues" and turned a drink in a bar after the 1972 Democratic convention into a Number One country hit called "Old Dogs, Children and Watermelon Wine." "I couldn't write the 'Darling, you left alone and blue' or 'I'm drunk in this bar and crying' - I just didn't get it," he once said.
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Riley in 1968, it freed Hall to record his own work, which included songs about burying a man who owed him 40 dollars, mourning the death of the local hero who taught him how to drink and play guitar, and "Trip to Hyden," a journalistic tale of a drive to the scene of a mining disaster that was part Woody Guthrie, part Studs Turkel. A Number One pop and country hit for Jeannie C. Taylor uses so much ice when her husband's out of town. His best work was charged with literary irony but unfolded with the ease of spoken language, as when the mini-skirted heroine of "Harper Valley P.T.A." struts into the local junior high and exposes small-town hypocrisy by asking why Mrs. Despite sparking some misconceptions about the group, you’d be hard-pressed to find someone who doesn’t know the name Blondie.Hall was an English major who said he learned to write songs by osmosis, soaking up everything from Dickens to Hemingway. It was a simple decision that had a major impact on the group’s success.
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Debbie came home one day with her hair dyed blonde and then told me within a week or so truck drivers were yelling, ‘Hey, Blondie!’ at her all the time.” Stein once said, “It was just from what people yelled at Debbie. Soon after Harry bleached her hair, “Blondie” became a pervasive catcall she would hear around New York. They landed on Blondie in a very straightforward way. They went through several names prior to landing on their enduring moniker, including Angel and The Snake-though the band only played two shows under that name. The pair became unhappy with the band’s direction and decided to form their own outfit with Clem Burke, Jimmy Destri, and Fred Smith in tow. Soon after, he met Harry and the two quickly started up a romantic relationship. The origins of the band started when Chris Stein joined the Stilletos in the early ’70s. People will often flub with “I love Blondie, she’s great” erasing the remaining members entirely. For many casual fans, Blondie seems more like a stage name for Harry than the moniker of a collective. The name Blondie can be a little misleading. There are few monikers as memorable as Blondie, but how did the punk trailblazers land on the name? Let’s get into it below. There are a few things every band needs: strong songs, inimitable stage presence, and an enduring name that etches itself in the minds of fans the world over. Debbie Harry’s vocals have become unmistakable, just as we imagine they were back when she was an unknown singer trying to grab the attention of a packed club in the seedy streets of NYC. When Blondie first came to the scene they ushered in something entirely new in their wake-a marked sense of minimalism, attitude, and a grungy musicality that shed the refinement of the era.
It’s the mid-’70s, you’re in the hotbed of punk-New York-and suddenly you hear the refrain of “Rip Her to Shreds” blaring out of CBGB or somewhere akin.
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